Sheena Blackhall is a writer, illustrator, traditional ballad singer and storyteller in North East Scotland. From 1998-2003 she was Creative Writing Fellow in Scots at the Elphinstone Institute. She has published four Scots novellas, fifteen short story collections and over 200 poetry collections, which are listed here (most recent first). In 2009 she became Makar (poet laureate) for Aberdeen and the North East, and Makar for the Doric Board in 2019.
Sunday, 6 April 2014
The Poems: The Mongolian Spot
Title: The Mongolian Spot.Poems & in Scots & English by Sheena Blackhall.Published by Lochlands, Maud, Aberdeenshire.Printed by Thistle Reprographics,55 Holburn Street Aberdeen.Cost: £3.00.Copyright: S. Blackhall 2014 Cover: Mongolian Musician This is a file from the Wikipedia Commons. Information from its description page is shown here:Sambuugiin PĆ¼revjav of Altai Khairkhan (an overtone singing ensemble from Mongolia) playing a morin khuur near Centre Georges Pompidou in 2005.Author : Eric PouhierDate : Octob. 2005
This book is dedicated to Philip & Vicki Watt,Fadlydyke Farm, New Deer. Some of these poems have previously been published on www.poemhunter.com. Other pieces will be published by Forward Poetry in May, 2014, in the following publications: Light up the Dark, Darkest before the Dawn, and Candlelit Thoughts. The extract ‘Fyvie’ was taken from a Doric play written by Les Wheeler and Sheena Blackhall. The poems Smack Heid Debbie and The Warld Accordin tae the Rev Angus Macstrewn were taken from a prizewinning play ‘Nichtshades’ also written by Blackhall & Wheeler. The Commonwealth was written as part of a project on the Aberdeen Reading Bus funded by Fairer Scotland. The Great Tapestry of Scotland was written to perform at an event in Aberdeen’s Tunnels, organized by the National Collective, (artists and creative for Scottish Independence). Several poems were inspired by works in the Scottish National Galleries of Scotland, one of which was short listed in the Inspired? Get Writing! 2014 competition. The House of the Russian Dolls was Blackhall’s response to the Scottish Book Trust’s general invitation for people to write a story about the meaning of home.
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